Review: Father’s Day by Tony Birch

You know that feeling when you get on a reading roll? You finish a few books in quick succession and it’s like you’ve taken on this momentum. You have to be lucky with the books you pick though or you bog yourself in something that allows itself to be put down midway through and forgotten about. Tony Birch’s second collection of short stories, Father’s Day was certainly not one of those books that you could put down for too long.

7031511It’s a subtle yet incredibly moving collection of short fiction that’s over-arching themes can be best described as dealing with family, those on the fringes of society and characters with something missing. After reading the story ‘Shadowboxing’ and his novel Blood last year, I have come to love not just how Birch is drawn toward dealing with marginal characters, like I do in my own writing, but his realist mode of writing. It is direct and unobtrusive. The danger I find with collections of short fiction is the pause between each piece and having to immerse yourself in a new one each time. But Birch’s realism allows for you to do that easily. You are not lost each time in thick obscure description in the beginning. Birch places you in the scene clearly and immediately. It is like the author is not even there.

But I guess critics of writing like Birch’s would argue that there is no art to it, and Birch often breaks the rule that you’re meant to “show not tell” but he does it so well. The statement of “fact” and the placement of those events without the intervention of the author is in itself quite moving. And to me, the style and the insignificant way in which he finishes most of his stories conveys a realism situated in the often mundane, subtle and trivial details that portray what it is to be a marginal character in society, so much so that they seem to be the kinds of stories that other writers would overlook and deem not significant enough to tell.

I’m someone who looks for books that punch you in the stomach. I look for great, cataclysmic events that leave me breathless. This collection is not like that but still leaves me thinking this is a very good collection of short stories. There are moments when pieces feel unfinished, but necessarily so and the sense of loss you get from some of them is a reaction that I think is not always the one you seek, but I think worthwhile all the same.

Review: Loaded by Christos Tsiolkas

I haven’t posted a book review on here in a while. Actually, I haven’t posted on here in a while, but I felt compelled to say something about Tsiolkas’ Loaded. After reading it in just two-sittings last week, on the way to Perth and then back again. I read The Slap a few years ago and it’s a novel I still think about, and had been meaning to read more of his work, and my friends had raved about Loaded.

1208928It is sharp and intense. It’s about a 19-year-old boy Ari who likes to have sex and take a lot of drugs, and it takes place over one night. The novel moves seamlessly through the various places he goes out to, to the various people he meets. It feels a little like a drug trip as you read it, but it’s never just drugs and sex and nothing under the surface.

As with many successful novels, I think Tsiolkas has managed to nail the voice, along with a kind of minimalism that is not too over the top. The casual language and pace make it easy to keep reading and finish in a short while. There is politics there. It alludes to a feeling of apathy and powerlessness that I think was a common mood of the 90s and it speaks a lot to me about the motivations for the kind of lifestyle Ari leads, without being patronising about it, perhaps because it also feels to me as if it might be semi-autobiographical. There are details that seem to match up.

I saw Tsiolkas speak at the Wheeler Centre a few weeks back, where I bought the book and got him to sign it. He did a reading from his forthcoming novel, Barracuda. Like someone like Tony Birch, he has a fascination for characters perhaps marginal, perhaps just those overlooked. I’m interested in that too as a writer. But I’ve only just discovered them recently, never the kinds of texts they gave to me in high-school, but then I wonder if I would’ve read them then.

Novel writing, non-fiction published and upcoming gigs

Time for an update! I’m four or so weeks into the second year of my degree, and the main focus, at least it should be, is my novel writing elective and work has begun on my old novel, Robbin’ Toorak again, which is a WIP from NaNoWriMo a few years back. This idea, essentially one set in the world of professional wrestling, is an idea that continues to excite me which is why I’m redrafting it for uni this year. Though with other subjects and assignments, it’s been hard to sink my teeth into it as much as possible but workshopping sessions have been positive and I feel like the idea has legs (is growing more legs, changing form as we speak) and I’ve gotten the voice almost right.

What else have I been doing and what’s coming?

I was recently published on the Overland website talking about football, the Western Sydney Wanderers, ‘active’ supporters and their campaign against the police, media and other authorities. You can find the piece here.

Coming up I am involved in three poetry gigs:
Thursday, May 2 @ 8pm: I’m one of the feature poets in a line-up of poets performing ‘Twitter’ poetry at the new RMIT design hub.

Saturday, May 25 @ 2pm: I’m the feature poet at the Dan O’Connell Poetry readings, and will likely be reading an excerpt from the novel.

Saturday, June 22 @ 8pm: I’m the organiser of the revived Keep Left poetry night that will now be happening monthly. I’ll be MCing the first one as well, with our feature Maxine Beneba Clarke.

On not writing and trying to write (sometimes about sport)

In an exercise of contradicting myself, I thought I’d write a bit about my struggle with not writing, and perhaps in the process, talk through some of the things I do want to write about but struggling with. I’ve been asked a little bit recently about how my writing’s going which has been a bit sad for me because I usually really appreciate people asking me, but I have had to admit to not writing much at all. I had all these plans for the holidays which came to nothing. I wrote a (bad) poem last week about Anthony Mundine out of the blue after some arguments on Twitter, and have been going to some poetry workshops in the absence of uni and written some poems then, but part of it comes down to a lack of my usual stimulus.

Often some atrocity committed by capitalism or some inspiring struggle against it throws me into expressing my relation to it through words. Sometimes it’s some sort of idea or debate that I want flesh out in an allegory or metaphor. Even though the usual fucked up things about the world are still kind of simmering there, there’s nothing really at the moment that is pushing me to the page. At least not in my usual sense.

Over the holidays, my passion for writing has been in part replaced by a strange return to a fascination with sport. Mostly football. But also my own fitness regime, getting back into running, some cycling and just last week, swimming. It’s a weird shift and perhaps something that seems a bit uninteresting. Why would I write about it? But I like the kind of measured progress of it and the ability to be able to perform regular movements and tasks that don’t require allusive and immeasurable things such as inspiration. But I’ve been wanting to write about sport and fitness nonetheless.

Why write about sport? I’ve become totally engrossed in the passion that football (soccer for those who can’t see the distinction) is developing in Australia via the A-League. I’ve been to a few Melbourne Victory games before and the atmosphere of the Norther Terrace supporters is pretty special, totally different to a League and AFL game. But this year, it was stepped up a notch with the introduction of the Western Sydney Wanderers into the league. The team created in the area I grew up in, has become an instant hit within the Western suburbs of Sydney, with a striking red and black striped jersey, their supporters call themselves the ‘Red and Black Bloc’ and are quickly become one of the loudest in the league. They have rehearsed chants and songs, and banners. It is not unlike a protest really. The Wanderers also have Youssouf Hersi, an Ethiopian born Dutch National who was been adopted by Western Sydney as a bit of a hero. He’s exciting to watch. Quick down the wing. And fancy with his footwork, able to change direction in a split second to trick opponents.

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I suppose I am fascinated by the passion that people put into backing their team, the camaraderie they share in the highs and the lows. I have done it for so long with the Rabbitohs, a tradition passed down to me by my father like joining the union and not voting Liberal. It is interesting how often the fortunes and people’s aspirations and hopes are channelled through sport.

And I think in periods where there is not a lot of struggle and social change going on, this can be more so. It seems in contrast the impending election (yawn) that is about to be take place (or not really) throughout this year. Elections at the moment in Australia are characterised by their lack of competition and conflict. People can’t tell the difference for the most part between the policies of the two major parties and aside from Gillard’s speech calling Abbott a misogynist, Labor’s rule lacks the challenge to the right-wing threat of Abbott.

I kind of see football as an outlet for the open competition people would like to see. And that’s in part what I’m getting at which I want to put into writing. Well, I just did, but I mean in a creative form, perhaps through fiction or poetry, but so far my attempts have felt pedestrian, boring or clumsy.

Perhaps it will take practice, acceptance than some people might just not care this, as well as looking to the successes of other writers in this area. Suggestions are most welcome.

2012 in review

photo (4)So although the Mayan prophecy was wrong, it appears I did fall off the face of the earth for a time. Against my better wishes, I’ve spent most of the remainder of 2012 watching sport and playing video games. I haven’t written much nor gone to many poetry gigs, but in the interests of posterity, and perhaps to revive some motivation, I thought I’d recap what I’ve achieved in 2012.

  • Started and finished my first year of my Creative Writing degree, with 7 Distinctions and one High Distinction.
  • Launched the website, MelbourneSpokenWord.com, held the inaugural Percy Shelly Poetry slam, and released a spoken word EP with Santo Cazzati, Duel Power which was mentioned by Ali Alizadeh as one of his top 10 poetic works of 2012.
  • Had articles published in The Emerging Writer, Overland’s website and the Geek Mook, poetry in Overland, Social Alternatives and the RMIT anthology Little Spines.
  • In the later half of the year took up running and cycling, and finished my first race, the 10km race at the Melbourne Marathon Festival, finishing 404th out of 9,000 competitors and running it in 45:17.

It was a pretty good year for writing, uni allowed me to focus on it more and I had more things published than years previously as a result. The fitness kick came as a surprise and made me realise that when I look after my body, I feel happier and more motivated, which is worth reminding myself now as I’m not doing much of anything. Oh and to cap it all off, a couple of days ago, we welcomed the uber cute Genie into our house.

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Poem: When the end of the world comes…

When the end of
the world comes
there will be bastards
selling merchandise
desperate hawkers
on the side of the road
to oblivion
reaching out
in crashedcrushed suits
selling us the nooses
they make us
want to hang ourselves with

Nero would have been so proud
Not just a mad man
fiddling whilst a city burns
but a whole orchestra
a bank of mad-hatters
stock brokers smashing cymbals
generals blowing horns
politicians fiddling on giant basses
and executives twiddling with flutes
a symphony whilst they sell us off
to the highest bidder
before we’re cooked to a cinder
and when the end of the world comes
they’ll sell us the box set of DVDs
with extra features
and tell us the soundtrack is to die for

Gaza and the Realpoetik

With Gaza on my mind, the bombing, the deaths of children and the mainstream media’s silence, I’ve come close to writing again. Horrors such as this always bring forth new words, but I can hardly say I’m thankful for it. I’ve got some disturbing images floating around inside my head. But I think these are important things to write about, it’s why I write in the first place, without some overblown expectation that my words will change masses or do as much as real action can, but I think writing is at its best when it engages with the real world.

On that note, Jessica Wilkinson and Ali Alizadeh’s manifesto, The Realpoetik Manifesto, speaks to me and how I approach writing, especially poetry. The manifesto is “an unavoidable and necessary code for the art of non-fiction poetry.” Manifestos haven’t really been in for a while so I love to see its return. There’s this old manifesto by these bearded guys called Karl Marx and Friedrich Engels that’s worth reading too.

In the manifesto, which has been posted around various literary and poetic websites it states: “The Realpoetik recognises the unquantifiable potential of poetic writing to convey a deeper experience of reality and ‘real life’ accounts than may be possible through conventional non-fiction prose.” And so on it goes. Well worth reading.

I would like to publicly state my intention to join The Realpoetik. Perhaps it will guide me to write something about Gaza after all. Writing about something from home in Melbourne feels hard though, because it seems not as powerful or real as if someone had written a poem by Gaza. I found that when writing about the Egyptian revolution last year, when I wrote this poem, Egypt. It comments on the process of writing from where I was.