Speculative Fiction emerges at EWF!

Last night’s Speculative Fiction panel as part of the Emerging Writers’ Festival is already my highlight of the whole festival, even though I’m meant to see many others. As I said in my picks the other week, I was expecting this to be great. And I felt, as an emerging speculative fiction writer I had to turn up to represent my genre. And so when I got there, I wanted the audience to be bigger, to see faces we didn’t usually see.

Perhaps that’s something for next year, to get the speculative fiction writers out in force.

The session was amazing but I was left with wanting more: more time, more writers, more questions, more spec fic.

We got to sit there and listen to Rjurik Davidson ask three amazing writers about spec fic and their own writing: Alison Croggon, Paul Haines and Kirstyn McDermott.

One of the issues that came up in the discussion, that I’ve talked about before and am curious about, is to do with crossing lines, defying taboos and writing bad guys. Paul Haines talked about the concern had when writing Wives that people would think he was a misogynist rather than just writing about misogyny with the point of highlighting what a problem it was.

I don’t think a writer necessarily advocates everything in the content of their work. Indeed, I often write bad guys from the perspective of being able to condemn them. Now often I agree it can get murky and I’ve read many a horror novel or watched a horror movie that left me questioning whether or not the creator was advocating or condemning the horrible events in the movie. By that, I don’t just mean violence because I think you can do horror where the obvious good guy is the meant to be the bad guy, and we’re meant to be rooting for the ‘villain’ getting his revenge.

But I’ve found this murkiness with the darker parts of speculative fiction especially horror to be a barrier to friends reading or watching it. They don’t get why I would want to watch or read about ‘fucked up things’ but they would happily argue the need to watch the news or know about real world events that are ten times as horrific just because they’re real. I think fiction can do the same because it often reflects reality.

It was refreshing to hear that this issue is something others in the genre come across as well. And I was glad Rjurik Davidson stepped into the political sphere with the discussion.

The discussion about taboos leads me to tonight’s session, Dirty Words, on erotica, where I tend to think sex and erotica is much more of a taboo in today’s society than violence and gore.

I managed to corner two audience members who are big spec fic fans to tell me why they love the genre or why they think it’s the best:

eBook Review: Ur – Stephen King

A quick review for a pretty quick read. Ur is a short novella by Stephen King that he wrote exclusively for the Kindle platform. I started reading it after ordering my Kindle and whilst waiting for the thing to arrive began reading this little tale on the Kindle iPhone app, and finished it off on the Kindle.

UrIt’s about a ‘different kind of’ Kindle that’s delivered to a slightly technologically backward English professor. The first odd thing is that it’s pink, not white or charcoal like the only one’s available from Amazon. The other thing is that is has experimental features not available on any other model. It’s linked to alternate realities and lead this professor to discover some strange things.

It’s not a particularly unique plot, nor is the writing particularly mind-blowing. People are right when they describe it as ‘brain candy.’ But I guess toward the end, King was trying to explore the whole “if you knew Hitler was going to do bad shit before he did, would you kill him?” type plot, except instead of Hitler, it’s an alcoholic so the premise doesn’t quite match up.

It was a fun read to introduce me to the Kindle, though I might’ve thought I was wasting my time if it was any longer.

Movie Review: The Human Centipede

The Human Centipede had become a bit of a cult obsession around the Internet before I got a chance to see the whole thing. The trailer had been circulated around others in the genre and amongst friends and family and already you could see it had pushed boundaries and most weren’t sure they could stomach the whole thing.

The Human Centipede

As someone who writes horror and is interested in the genre, I felt I had to see it for myself to make a judgement. This current wave of horror, dubbed ‘torture porn’, is a peculiar one that provokes quite a lot of venom from many in the horror community. The Human Centipede embodies everything that characterises the sub-genre and in this way, it mostly deserves the infamous accolade of the ‘sickest’ movie of all time.

The premise of the movie is a crazed German surgeon kidnaps tourists to perform a sick operation on them. He’s a world-renowned surgeon in the area of separating Siamese twins but for some reason (which isn’t given, other than he’s crazy) he wants to attempt to join people in what is dubbed ‘the human centipede’ linking three people together via their digestive system. Don’t think too hard about it if you’re eating or planning to eat soon.

The predicament with reviewing such a film is establishing some sort of criteria as the goal with horror and particularly this sub-genre, isn’t really to inspire or entertain. Horror aims to create fear in viewers, to disturb them or I think, in a world such as ours full of horrible things, it is to explore the darker palette human emotions and how we react to such circumstances.

The Human Centipede does disturb and no one can really deny them that. I could’ve gotten that just from the trailer alone. I’m still wondering where in the writer’s head did this idea come from. The very premise and the detail in which it is explored and shown is the basis for the whole movie, but sadly, there isn’t much more to it.

The movie is full of a monotone of human emotions that begins to become tiresome. And this is of course, coming from characters we know very little about and so I found it hard to connect with them in any way. The plot and characters just seemed to be tools in which to piece together the disturbing scenes and premise inside the writer’s head.

The question very much becomes: what is the point?

Whilst the objective of having a strong emotional impact on the viewer is achieved and I certainly wasn’t bored, the movie lacks any kind of depth to plot or character leaving it to be just shock value and something viewers watch like an exercise in thrill-seeking as if they’re swallowing scorpions.

Movie Review: The Loved Ones

The Loved Ones is a more entertaining contribution to the ‘torture porn’ sub-genre of horror, in part because it seems to make fun of the genre at times. It is of course though, not without its problems.

I never know what to make of these ‘gorefests.’ I’m guilty of trying to over analyse these films and what the violence actually means, and it was the same whilst watching The Loved Ones. It’s a film about a young woman called Lola who, after being rejected by Brent as his date for the dance, takes him hostage to inflict a smorgasbord of violence upon him.

The Loved OnesThe plot does have some depth to it despite often being drowned out with blood. Lola appears to be a complex character with a bit of motivation for her acts. The other elements to Lola is as an entertaining villain and flipping the gender roles to take on a Carrie-esque character. Lola feeds into a very mocking and comical feel to the movie that makes the gore in places work with how exaggerated it is. It’s almost theatrical and given that Robin McLeavy, who plays Lola, was a theatre actress, it’s very appropriate.

I hardly felt beaten over the head with the violence, perhaps due to the comical aspects, though there are some cringe-worthy moments like when Lola tries to pour boiling water into the hole drilled into Brent’s forehead.

Whilst all of this is going on in Lola and her father’s home, Brent’s friend James is taking out another woman, Mia, to the dance where they spend most of the night in his car listening to ear-splitting heavy metal whilst getting stoned and drunk.

And this is me over-thinking things a bit, but there was a parallel that appeared between the two sub-plots. On one hand you have Lola holding Brent against his will and then you have a situation where Jamie and Mia have sex whilst intoxicated, hence rendering Mia unable to consent – which is date-rape.

I asked director and writer Sean Byrne about this when Madman Entertainment kindly invited me to interview him the morning after I saw the film, and the idea hadn’t occurred to him. The scene appears ‘innocent’ and Jamie isn’t portrayed as a bastard, but the fact still remains. It reflects an almost trivial view toward nonconsensual sex within culture which is a reflection of the way society sees it.

Gender politics is always something I look for in horror because I feel it’s something often gotten wrong, even if they try to do it in a progressive way. Whilst I enjoyed the fact that Lola was the villain and had control of the situation, there is something to be questioned about the stereotype of a woman going mad in the quest for love.

The Loved Ones is an entertaining film that is gory whilst also poking fun at itself and well worth watching, even if there are problems under the surface.

The Loved Ones is screening now in cinemas around the country. I’m lucky enough to have tickets to give away. Leave a comment to go into the draw to win a double-pass* to go see the film. And follow me on Twitter and Facebook for other opportunities.

* Only available to those living in Australia

Movie Review: Let Me In

When a movie is based on a book, I always find it hard to separate the two when making a judgement on the movie. For Let Me In, I was left comparing it to the book I’m half way through reading as well as the original movie I haven’t seen yet.

Let Me In is the Americanised version of the Swedish movie, Let the Right One In which is based on the novel by John Ajvide Lindqvist of the same name. It’s about Owen, a bullied 12-year-old who meets Abby. She says she’s been “twelve for a very long time.” Eventually it’s revealed there’s something different about Abby; she’s a vampire.

Let Me In feels very different to any other vampire movie. It’s got a dark, subtle and almost art-house aesthetic that very much suits the feel of the novel. After trying to force myself to disconnect from judging the movie based on what I’d read of the book, it was this feel of the movie that pulled me in and put me at ease.

The screenplay cuts out a few of the subplots I’d come across in the movie and weaves some of those scenes into the main plot, which kind of jarred with me at first but it worked and made the story overall fit the screen better.

Without having seen the original Swedish movie, it’s hard to comment but I thought it was a pretty good version of the film. But friends have commented that it is very close to the original, which begged the question to me, why not just screen the original?

Let the Right One In was never given cinematic release in Australia and it took someone to make it American in order for it to reach a wider audience. This is not a new thing with (poorly done) Americanised versions of many Japanese horror films hitting the big screen but when you go back and watch the original you wonder how they got it so wrong.

What is it with Australian and American culture that makes audiences too backward to watch a foreign film? To turn the whole film American makes it seem as if culture-wise, America is the centre of the world. I guess it reflects a political reality of America being the number-one super power so it translates to this cultural domination.

Despite enjoying Let Me In, I think I’m going to go find the Swedish original and wish they’d just played that at the cinema.

Movie Review: Daybreakers

Daybreakers bucks the trend of modern day Vampire film with a nod to science fiction whilst going back to the dark and sinister.

DaybreakersThe first thing you notice about Daybreakers is the dark and stylised aesthetic. It pulled me into the film, along with the world it slowly unfolded for me. It’s all set in very modern and corporate type settings, illustrating a kind of dark mood to a society driven by vampires.

This society is very much on verge of crisis. With vampires having taken over, the minority of humans are quickly becoming extinct and therefore the blood supply is running out. It has some parallels with real life; with economic crisis, food or oil shortages as well as global warming and climate change.

And I felt that it dealt with this with class. The division between the rich and poor was an obvious element to the world with those unable to afford the dwindling blood supply suffering.

Add to this the richer elements like Charles, played by Sam Neil. He heads a company researching a blood substitute but remarks “There will always be those willing to pay more for the real thing.” And Charles is evil. Not only did I enjoy the rich being the bad guy, but it’s a return to vampires as vicious and evil characters unlike the current trend of vampires like in Twilight.

I found the conflict between Edward and Charles as well as the underlying crisis within the society much more interesting than the more central plot which was with Edward fleeing with the humans and to help them find a cure to Vampirism.

Part of it may have been that I’m not much of a fan of Claudia Karvan, but there wasn’t a lot of inner conflict with this thread.

Another aspect that had more conflict was between Edward and his brother Frankie, who was in the army and had the job of trying to hunt humans. That kind of battle between Edward trying to regain his humanity and Frankie being faced with that and the purge of the ‘Subsiders’ – those that were mutated due to being starved of blood – made references to soldiers turning against the Iraq war.

There were lots of these seamless nods to real world events though they were never so obvious or jarred with the storyline. It all fit within the world and the story.

I’d have to say that the ending was a bit sudden and didn’t tie up a lot, but otherwise this was a great movie with the return of vampires as being sinister and a movie that relates to the world in a way I can agree with.

[Fiction] Friday: The Tooth Fairy

This week’s #FridayFlash is brought to you by Write Anything’s [Fiction] Friday prompt for this week: “Why did the Tooth Fairy fail to deliver coins one evening?”

The Tooth Fairy

My tooth.JPG

Photo by Brian_Kellett

How could anyone believe that a tooth fairy goes around and gives you money in exchange for your teeth? I mean, it’s an utter fairy tale. Just one tooth fairy? It’s like saying Steve Jobs made your MacBook.

That fucking tooth fairy does nothing and takes all the credit. She flies around in her designer dress and manicured wings, and only drops off coins to children to keep up appearances, to maintain her little fairy tale.

There’s no way she could deliver all that money to all those little brats that go to all lengths to rip out their teeth. She needs us, but we’ve never get – until tonight.

We crowd around in the attic of a candy store, sticky with sugar and far less glamorous than she.

“She’s dropping off a cheque to the son of the head of the Dental Association.” Marty is outraged at the total ignorance of tradition. “A cheque?! It’s always some publicity stunt for her. What happened to the old ways?”

“She’ll probably drop off some coins as well. She’ll do it when the cameras are in her face. It’s still a good look,” I say.

We’re not traditional fairies like she is. We never got the clothes or the pure skin. There’s no time for that. Marty is the oldest of us all, his wings no longer work and flies around in basically a wheelchair with rotters.

I am the dullest fairy you’ve ever seen, I am sure, all grey as I lead the way out the little hole in the candy store’s roof. I was mistaken for a chimney sweep once, a few hundred years ago. It’s probably because I’ve been down a few chimneys.

From afar, we look like a swarm of flies buzzing in a horde over the city, heading straight for the house where she’ll be, knowing the city like the back of my wing.

I grit my teeth at the thought of her soaking up all the attention. It’s not the way it’s meant to be. We’re meant to be secret and mysterious. Signing over a movie deal was the last straw. We would never let a Pro Wrestler into our ranks!

Our dull clothes assist us in that mission, to keep under the radar. We’re blinded by the lights around the outside of the house, a little spot brighter than them all in the middle.

I wink to Marty as he flies up high, above us all. His wheelchair bobs up and down with the effort of carrying a heavier load.

“Miss Tooth Fairy, Miss Tooth Fairy?” The cameras are flashing and the journalists are swarming, “How do you deliver so much money to so many children every night?”

She doesn’t see us as we fly in behind the mob and she poses for another shot.

“It’s hard,” she says, fake frowning a little, “I am out all night and it gets me so tired.” A smile breaks out faster than a camera flash. “But this gets me through the night!”

She thrusts out a protein shake to the sound of the shutters clicking. Another fucking product placement. I feel sick as the integrity of this already degrading job drops – but it doesn’t drop as nearly as much as…

Marty is cackling as he tips the potato sack of white nuggets that topple off the edge of his chair. The Tooth Fairy cries out as all of the attention scatters in the night and covers the place in darkness.

Teeth, millions of teeth, some white, some yellow, some black. They all rain down on her parade. They were all collected by us, not her. And we replaced them all with coins for children.

We step into where she hovered and wait for the light to bask on us, finally claiming the credit we deserve.

Darkness remains.

Marty flies down to my side with his empty sack. White teeth litter the ground under us but for the life of us, we can’t find anyone else.

The cameras have disappeared as has she. I see a little glint of light fly off into the night.

We’ve been ignored again.

For more flash fiction search for #FridayFlash on Twitter today or every Friday.

#FridayFlash: Don't Feed the Animals

This piece was inspired by two things. The first was the desire to write something with a monster. I’ll leave you to work out the second.

Don’t Feed the Animals

An Old Jetty

Photo by Wagman_30

Now when I see a sign that reads ‘Don’t Feed the Animals,’ I know to not feed the fucking animals.

It’s worse when you not only feed the thing without realising what it can do, but to defend its right to do whatever the fuck it wants or to join it. It makes you an animal too.

You could never see what lay underneath the surface of the water at the end of the jetty. Half of the reason was because you barely ever walked down the end of the ancient thing in the first place. But you could see things bobbing on the surface, perhaps they were dead molluscs or bongs or rubbish. I never stood there long enough to work it out.

And it took tourists to come to really confirm that the people that lived in my little town were batshit crazy. I never really doubted it but their perplexing ambivalence to whatever lurked underneath the black swamp was made even weirder when they saw picnics and sing-songs by strangers as more of a threat.

“They’re not like us,” they’d say to which I’d reply “We have picnics too.” My ‘smart-arse’ tone was apparently what was really wrong with the world. They never looked themselves in the mirror.

Finally, they all decided they had to do something about these ‘tourists.’ Soon they would take over the whole town, they thought but I’d never seen more than a dozen.

I was waiting for them to light their pitchforks and march down the local park but the mob marched right down that rickety jetty with a bag of bait.

My parents knew what was in that place, but never told me. It had never risen the whole time I was alive. And I thought they didn’t want it too.

I stood at the back of faces that had lost all vision except straight ahead. The mayor dangled his hand and plopped rotten prawn heads into the water.

I had to step back as the jetty rumbled and black sludge bubbled underneath. “Come on boy,” they cried below, “Show those tourists reason.”

My vision went slightly blurry as I kept tracking backward feeling the temperature rise. Even everyone else looked a little scared. Had they forgotten exactly what they’d summoned?

Dozens of narrow-minded eyes watched with terror as out of the swamp, a thick black tentacle rose and slapped onto the jetty, crumbling underneath the weight. Another slapped on top, the wood collapsing underneath. I could hear them all whimper a little as the bulbous head finally came up above everything with nothing but a pile of sticks under it.

Its red eye burned brightly. I dared myself to look at it and I swear it was really burning, like it was one black slimy lantern making its way down to the picnic ground following the trail of putrid bait.

The frightened faces dropped as it slurped past. They all laughed and smiled, pretending none of them had been scared.

The tourists were like statues gripping their song books and guitars tightly on the chequered cloth. They barely even looked at the thing. It floated a tentacle around, hovering over the food before coming right up close to a child’s face. She tried not to cry as she felt the suction cup underneath breathe her in.

“I knew it’d go for those song books first,” a guy who usually never left the pub said, “Can’t stand those things. How dare they play their music?”

It did as he expected and took the book from the shaking child’s hands. We all gasped as it teetered back to reveal its underbelly blanketed with teeth on every inch 0f its surface.

The paper flapped in the wind of its sucking mouth. There was a spark in that lantern eye for one second, pure madness exploding. Flames shot out from its teeth, engulfing everything around it, burning their music to nothing.

A frenzy of following tentacles took the rest until all of their possessions were ash at their feet. My ears rang with the drunken cheering around me. I felt sick – until I felt angry when I saw those crushed faces, kneeling on the ground.

Would it go for them now? It didn’t.

All of that joyous hypocritical laughter and singing stopped dead when that lantern glowed on them. That leading tentacle turned and drew near, still a little hungry.

They had only just realised it was going to come for them now.

For more flash fiction search for #FridayFlash on Twitter today or every Friday.

Contradictions in the Vampirism to Homosexuality Analogy

The rise of vampires in popular culture being used as an analogy for homosexuality or alternative sexuality can often be looked upon favourably but can it lead to homophobic conclusions?

Vampire

Photo by nulus

Vampires in literature and film at the moment come in a variety of forms stretching from the traditional dark and evil vampire to the new, romantic, sexy vampires that you sympathise with.

I’ve been particularly interested in one strand that’s emerged that sees Vampirism as an analogy for homosexuality, the obvious example being the TV series, True Blood.

I’ve only watched a few episodes but I’m already enjoying the strong characters and am impressed with the plot pulling no punches with its political references. You can quickly see the resemblance to various civil rights struggles including that for gay rights.

And on a superficial level, I think this works. The portrayal of the anti-Vampire bigots works quite well, as do the people sympathising with them.

But I’ve run into doubts after trying to extend the analogy further in some of my own work. I had an idea for a piece of short fiction centring on a vampire that’s forced to hide his vampirism, get married and dissolve into normal society.

The main problem I find is that LGBTI people don’t eat people. We don’t suck people’s blood. We might bite, if you like it that way, but we don’t go about to cause harm.

So much of the analogy is about hiding your vampirism, suppressing innate desires in order to fit into society. The conclusion could be drawn that this lifestyle is harmful, preditorial, and in order for equality to be achieved you have to push aside these innate feelings and become normal.

I feel that delving into the analogy too deeply can lead to conclusions that there is something wrong with homosexuality, but it just needs to be tolerated or controlled, not that it is a perfectly natural and positive lifestyle that people should be free to explore and be open about.

It’s for this reason that I feel my piece of short fiction might not work, but it doesn’t mean that things like True Blood fail in what they’re trying to do, just that I think there are contradictions that if explored, present problems.

I’d be curious to hear people’s thoughts but bear in mind that I’m not saying vampirism is always an analogy for homosexuality but this is in specific reference to some cases like in True Blood.

My writing process and political intervention through fiction

A week or so ago, with a story idea floating around inside my head, I sounded off a bit about my writing process on AudioBoo and specifically in relation to how I approach political fiction. I think there is a general hostility to conscious political fiction which has led me to be unsure about how people might see my approach.

Recently, submissions have opened for a new anthology, Red Dead Heart. It’s a collection of Australian-themed vampire stories and immediately it struck me as something that would be worth writing something for.

Now the way in which I formulate what kind of story I want to write may seem a bit mechanical or dogmatic. I think writing in the horror genre also pushes me in this direction because there is such a premium on originality, especially when writing within common tropes such as vampires or zombies.

So my angle is as a ‘Marxist horror writer’ and I consider how to distinguish myself and my writing from that angle. In this case, what I want to say about both the vampire genre as well as something that is Australian-themed, and hopefully mixing the two.

It feels almost like a comment on the genre as well as a story, which leads me to feel like people might see this approach as dogmatic. It is in this vein that I’ve come up with my idea, one that I think is original, or takes the vampire trope in a new tangent.

From here, I have a direction to go with my research where I’ll find details to fill in my world and little anecdotes to illustrate where I’m going.

I think for political fiction to work, it has to relate to people. It has to relate to people on the level of their material reality, how the world appears to them. It also has to relate to how they view the genre or literature, which is why I think it’s important for my ideas to relate to where a trope or angle originates from, a lot of the time from a socio-economic origin.

This is opposed to just thrusting whatever analogy you want into your story because if its disconnected from everything before it, I think people are more likely to dismiss it.

I’m not sure this approach would make people want to read my work or make them feel like they’re being preached to. If people felt preached to or the politics was being ‘shoved down their throats,’ it wouldn’t necessarily make me shy away from this approach because a lot of people feel hostile to any kind of explicit politics. It might just mean my audience is a little smaller which isn’t automatically a bad thing.

I’m curious to hear people’s thoughts.